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FASHION, EDITORIAL & COMMERCIAL PRODUCTION ARTISTRY
Bordeaux | Paris | Worldwide

Technical hair and makeup artistry for international film, photography, and advertising. Providing flawless, HD-ready results from the studio to the location.

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​Twenty years of international artistry. From NYC to Bordeaux, I provide technical hair and makeup for the world’s leading broadcasters and publications. My approach is defined by experience, fueled by current trends, and delivered with the calm efficiency only a career on the global stage can provide.

Production

ADVERTISING & BRAND CAMPAIGNS

Clean, high-definition artistry for global brand identities.

EDITORIAL & FASHION PUBLICATIONS

Innovative styling and "Elle-inspired" aesthetics for the glossy page.

FILM, BROADCAST & RED CARPET

Technical precision for the screen and high-pressure public appearances.

LIST OF COMPANIES I COLLABORATED WITH:

​TELEVISION:

TF1, France Televisions, Arte TV, BBC, Channel 4, MTV Nickelodeon, Fuel TV, ABC Channel, E! Entertainment, Discovery Channel, Animal Planet, Discovery Kids, Discovery Wings, Discovery Travel & Adventure.​

 

MAGAZINES/NEWSPAPERS:

Vogue Japan, Elle France, Tatler, Be Magazine, InStyle Spain, Paris Match, Point de Vue, Dior Magazine, Fantasticsmag, LA Times, Daily Telegraph, In Touch, Style King, Z!NK Magazine.​

 

FASHION:

Haider Ackermann, Dior, Louis Vuitton, Cartier, Graff, Loro Piana, Celine, Lloyd Klein, Armani Couture, Tape À L'Œil, Elle Boutique, Akris, Catherine Malandrino, Nais Monaco, Manoush, Nahua, Bryan Hearns, Paris Fashion Week, London Fashion Week, New York Fashion Week, LA Fashion Week.​

 

ADVERTISING:

Danone Activia, H&M, ALL - Accor Live Limitless, OLAY, L'Oréal, LVMH, Revolut, France Energies, Stade Toulousain.​

 

CINEMA:

Mothers Be Good (US), Apocalypse Oz (US), Double Foyer (FR)​

 

CORPORATE:

Crédit Agricole, Eiffage, Comité Miss France, Monaco Yacht Club, BWA Yachting Monaco, Bond TM.

Based in Bordeaux with seamless availability for projects in Paris, across France, and worldwide.

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